Jim Wilson - A PLACE IN MY HEART:
This is a very pretty piano CD, featuring Jim on his 5th album.  We've reviewed his works before & have been truly impressed with the beauty he's able to express.  As you might glean from the title, this isn't "hard-edged" or improvised... very much like what you'd hear on a PBS special with Yanni, or someone like that.  If your ears are thirsting for well composed music that is both relaxing & inspiring, this will be your ticket to Nirvana.  It's a totally professional recording, with track titles & author info burned right onto the CD... very handy if you don't want to dig through liners & jackets to find out who composed the piece.  Of course, these are all Wilson originals, which makes the pieces ever more attractive to me... originals always have (much) more fire, methinks.  I give this one a MOST HIGHLY RECOMMENDED for any listener who wants something to be inspired by.  ~Rotcod Zzaj

Review by Kathy Parsons, Solo Piano Publications
“A Place In My Heart” is pianist/composer Jim Wilson’s fifth album, and successfully straddles the line between pop and new age/adult contemporary music. The CD contains nine original instrumental pieces with mostly live musicians (as opposed to synth accompaniment) and two vocals (one solo and one duet). A tribute to the people and places in his life, Wilson’s music is gently uplifting with just enough of an edge to keep it consistently interesting.

“Morning on Cannery Row” is a warm and inviting opening track. Accompanied by strings, percussion, guitar, and trumpet, Wilson’s piano is part of the ensemble rather than the “star.” The title track brings the piano a little closer to the forefront, but it is very much an ensemble piece, this time adding Irish flutes and whistles. It reminds me in places of Suzanne Ciani’s work with The Wave. “Sanctuary” is one of my favorites. Featuring piano, Celtic flutes and pipes, guitar, and mandolin, the simple, evocative melody could have been inspired by a folk song. “Eagle’s Flight” is exceptional. Its deep passion made me think it must have been borne of tragedy. Chris Botti’s trumpet enhances the dark, mournful mood, as does Sharon Rizzo’s cello - what a great piece! “Hunter’s Moon” could be very effective in a soundtrack. The flutes give the haunting melody a Native American flavor, and the easy, flowing melody is very visual. Wilson’s vocal solo is a touching ballad called “Foolish Me,” which conveys such deep emotion that it rings sadly and personally true. Accompanied by The Prague Orchestra, this song has the potential to be a radio hit. The other vocal is a duet with Wilson and Marilyn Martin, who sang with Phil Collins on “Separate Lives” quite a few years back. A sweet love song, it could also become a pop hit or a popular wedding song. “Luna De La Jolla” has a strong, lyrical melody, but I’m glad they kept it a beautiful instrumental piece that evokes visions of a slow dance in the moonlight. The closing track is a short reprise of “Sanctuary,” a gentle parting melody.

Warm and reassuring, “A Place In My Heart” provides a lovely backdrop for a romantic dinner or for unwinding, but also holds up very well to full listening attention. Very nicely done! The release date is August 30, 2005, and it will available at online and retail outlets.

A PLACE IN MY HEART #1
[NOTE: Before it's Aug. 23, 2005 release, a preview version of A Place In My Heart (then titled Sanctuary) was sent to one reviewer, upon request.  The CD was chosen by one of Wind and Wire.com's reviewers as the #1 Contemporary Instrumental of 2004. Here are excerpts from the article:

THE BEST RECORDINGS OF 2004
Wind and Wire.com
Everyone (or nearly everyone) I know loves awards shows, even if just to complain about the winners and losers. Hopefully, none of our lists will provoke too unpleasant a reaction, but as with our reviews, please don't hesitate to drop any of us a line and tell us what you think, even if it's just to scream "What about....???" or "How could you forget ....?" Just remember the adage, "There's always next year!" … And now, as they say, the envelope please.

CONTEMPORARY INSTRUMENTAL TOP TWENTY OF 2004 (ranked)
1. Jim Wilson - Sanctuary
(Full list and copy available at:     http://www.windandwire.com/jan05/best_of_2004.htm

Last year I traveled the wide-open freeway and took the easy way out and alphabetized my top choices of 2003. This year’s is the route of the narrow curving road with a valiant attempt to rank what turned out to be a very good year for contemporary instrumental music. The year started off in tremendous form when I was given the privilege to review Jim Wilson's latest effort Sanctuary and its beauty floored me. Though Omar's effort Free As A Bird and David Arkenstone's Atlantis came very close, the soul of Sanctuary remained firmly entrenched as my number one pick throughout the entire year. . . . I would like to thank the artists and the labels for entrusting me with their blood, sweat and tears. This is an honor that I do not take lightly and I hope that my reviews assist the readers of our website. . . .
-- Mike Debbage, Wind and Wire

A PLACE IN MY HEART, Jim Wilson
(NOTE: Media Preview title was: SANCTUARY)
Review by Michael Debbage    www.windandwire.com

Wow! If this album is indicative, it is going to be an enormous year for Contemporary Instrumental music. With synonyms such as "safe haven," "asylum," "haven" and "shelter," Sanctuary more than lives up to its title. However, this album is not just about escape but also pure bountiful entertainment that is prolific, luxuriant and exquisite. Though not a carbon copy of his excellent debut Northern Seascape, Jim Wilson has presented his audience with a collection of compositions that will astonish you.

Back in 1999, while sifting through the used discs at my local neighborhood music store, I found Northern Seascape. The appeal was instant and to follow up on this freshman effort was an audacious task. Yet he accomplished this with confidence via Cape Of Good Hope. However, the album was not quite as fervent as his startling debut. Nevertheless, it was a proud moment. Still, I was wondering whether Northern Seascape, as brilliant as it was, would become his thorn in the side due to it being a benchmark that was impossible to surpass. Certainly, the strength of Sanctuary has put all these concerns aside as, once again, Wilson has presented us with another gem that deserves many accolades in the months to come.

The beauty of this project is the artist's daring move to avoid duplicating his first disc. Yes, we still have the trademark tenderness of Jim Wilson with the light Celtic use of Irish flutes, whistles and those gorgeous yet distinctive uilleann pipes, but this is no longer the emphasis. Wilson has made some adaptations with his delivery thus making the album rich and more expressive. This time he emphasizes the use of strings, giving it a robust and full-bodied feel to it. Add Chris Botti on trumpet and you could only imagine the beauty of this music.

There is no better place to start the hearty sounds of Sanctuary than on the opening track, "Morning On Cannery Row." The song opens with the powerful but delicate use of violin, viola and cello, which is then empowered with the slow but authoritative percussion work, topped off with Jim Wilson's fine piano work. Okay, so he borrows from David Foster as he slips off from one key to another, but there is no better influence than Foster. The same string arrangements that introduce the song concludes it and then fades, gliding right into the mellow affair of "A Place In My Heart" without skipping a beat. Absolutely beautiful. Add some voice sampling and percussion work representing a slow relaxed heartbeat; every note is perfectly placed.

"Eagles Flight" paints a similar vibrant word picture. This time, the vivid pace places the listener into the flight path of the powerful but graceful eagle. It does not hurt to include the expressive soulful work of trumpet player Chris Botti. Countered with the poignant nylon strings of guitarist Ricardo Silveria, I would venture to say this is one of the album's many finer moments.

"Hunter's Moon" and "California" continue to hold the high standard set by the first four tracks. Then Wilson transforms the setting with lyrical content courtesy of the pleasant "Foolish Me."  While "Foolish Me" breaks the streak in the instrumentation setting, it is a mellow and low key affair and does not distract from the mood. This tactic is revisited via "If The Morning Never Comes" which features Wilson in a duet with the ever ready Marilyn Martin. This time around, the exploration of lyrical content is a little more successful with some sweet harmonic work. "Luna De La Jolla" brings us back to the reality that Wilson's greatest strength is in his unspoken word.

What amazes me is Jim Wilson's ability to secure well-known guest artists to appear on his recordings that are produced at impeccable high quality levels without the backing of a major label. However, this does not divert from the fact that he is an amazingly warm and creative composer, arranger and producer.    Sanctuary simply personifies this statement and there is no doubting that it will be a strong candidate for Album of the Year.

My First Christmas With You Reviews

Christmas music can get away with being "new agey" without any complaint from me. Soothing and mellow as well as restrained and formal, with all those familiar melodies ("Greensleeves," "Silent Night, Holy Night," "O Come All Ye Faithful"), this album is a real treat. Jim Wilson is a fine piano player and the programmed strings backing him up with occasional percussion, guitar and bass are great. There's also a bit of Irish whistle, Uilleann pipes, Celtic harp, oboe and saxophone adding to the magical holiday quality. Two original compositions ("Aspenglow" and "My First Christmas With You") are first rate romantic wintry melodies. Tow arrangements of the Joni Mitchell song "River" fit in perfectly 00 calm, dignified and celebratory in spirit. This is a mostly instrumental album with some excellent vocal additions. Stephen Bishop sings a slow almost melancholy version of "Have Yourself A Merry Little Christmas" and Dan Fogelberg who has lent his support and vocals on other Wilson albums sings "God Rest Ye Merry Gentlemen." Jim Wilson and Marilyn Martin sing a lovely duet on a second arrangement of "My First Christmas With You." A necessary addition to your holiday collection. -- Jeanette Housner, Victory Review

Tender and evocative renditions of some of the season's most beloved standards are featured in this phenomenal seasonal release from pianist Jim Wilson. With special guest appearances by Dan Fogelberg (God Rest Ye Merry Gentlemen), Stephen Bishop (Have Yourself A Merry Little Christmas) and Marilyn Martin (in a duet with Jim on My First Christmas With You), listeners will find this release is full of pleasant surprises as well as beautifully orchestrated arrangements of our favorite holiday classics, with Jim's sensitive and masterful piano keystrokes always out front in center stage -- right where they belong. Without a doubt, this release will be receiving heavy airplay throughout the holidays, with at least a couple of its tracks deserving to become classics, so I highly recommend you grab a copy of it early so you can enjoy it throughout this and future holiday seasons.   -- Rev. Robert Walmsley, Omega Directory

Your song "My First Christmas with You" is now the popular song in this division. The spanish branch is using it continuously and Jacques Jean-Baptiste a broadcaster with Creole says it is the best new Christmas song he has heard this year. -- Margo, Voice Of America

There is no doubt that Christmas is a very wonderful time of the year for many of us. It is largely a season of cherished memories and treasured moments. Whether the reasons are to celebrate the birth of the Christ or the simplicity of loving family reunions, Christmas is a time of love, joy and giving. A special time of the year requires very special music from a special artist and that is where Jim Wilson steps in delivering in a warm and intimate way.

Jim Wilson's first big break came courtesy of his outstanding freshman effort Northern Seascape. Written largely in 1997, the album was not formally released until 1999 and yet to this day it remains a constant visitor on my CD player. Layered in mystical uilleann pipes, Irish flute and mandolin accompanied by soothing yet evocative melody, Wilson's sound was unique yet familiar. It did not hurt to have marquee names like Davey Johnstone (Elton John's guitarist) and Dave Koz assisting him.

On this project Wilson's unique sound in large plays a back seat to the holiday music. However, the trend of guest artists is continued courtesy of appearances from Dan Fogelberg, Stephen Bishop, Marilyn Martin and Everette Harp to name a few. And with a multitude of Christmas projects released each year, Wilson faces the daunting task of presenting something old and something new without sounding either repetitive or too contemporary.

Wilson walks this very fine line balancing the album with traditional carols arranged sweetly, intermingled with new self-penned compositions. Tradition is offered first courtesy of the seamless melody of "Doxology/Little Drummer Boy". Unless you have resided at the North Pole without a sound system the chances of not being familiar with these songs is highly unlikely. While this arrangement will sound new they seem so right for each other in this well integrated form.

On the contemporary side there is the self penned "My First Christmas With You" with assistance from John Bettis. This includes some genteel guitar work from Heitor Pereira much in the style of the previously mentioned Davey Johnstone. Equally as impressive is the flowing "River" written by Joni Mitchell which includes some super smooth saxophone from the under-rated Everette Harp.

The album is rounded out with three vocal performances. This includes Wilson taking this task on courtesy of his duet with Marilyn Martin. Much like Jim Brickman his voice his pleasant but not outstanding but a courageous move anyway. The most impressive vocal rendition is completed by the mellow Stephen Bishop on a very laid back jazz rendition of "Have Yourself A Merry Christmas".

As previously mentioned, Jim Wilson's trademark sound plays a backseat on these Christmas renditions, however the results are still a most enjoyable seasonal affair. These are well-chosen traditional carols and original compositions that bring together the spiritual and romantic aspects of this festive and special time of the year.
-- Michael Debbage, Wind and Wire

As the (silly) season approaches, it is (always) good to receive the new C-mas albums. Jim's orchestrally accompanied piano makes for perfect listening, with the 'phones, or in a party setting. I really like his playing, because he uses bold (tho' sensitive) strokes to paint his interpretations of some beautiful holiday standards; there are some guest vocalists you will (probably) recognize, too.. Dan Fogelberg & Stephen Bishop are among the names (Bishop's singing is just splendid, too, my favorite cut on the album). This is just the kind of music that will make perfect background for the family gathering, as they join around the table in celebration! I'm highly impressed with the recording, as well as with Mr. Wilson's passion for the season/music... impressed enough to rate it MOST HIGHLY RECOMMENDED! -- Doctor Jazz, Improvijazzation Nation Magazine

MY FIRST CHRISTMAS WITH YOU is a beautiful collection of Christmas songs that combines traditional melodies, two new tunes and three vocal renditions (sung by Dan Fogelberg, Stephen Bishop and Marilyn Martin – the latter dueting with Jim Wilson) with the contemporary sounds of timeless jazz. Joined by such contemporary jazz artists as saxophonist Everette Harp, guitarist Chris Standring, and bassist Nathan East, Jim Wilson excels at the piano adding holiday cheer, beautiful sentiment, and memories that remain with you for years to come. The pianist and inventor (Wilson helped to develop a revolutionary MIDI-adaptor for the acoustic piano) is also known as the piano tuner to the stars but these are his own personal Christmas dreams, those that create an instant backdrop for enjoying the holiday season. This is quite evident on the beautifully arranged “River” (and on the bonus radio mix) with its synthesized harmonies and acoustic melodies. Wilson shines on the solo piano rendition of “O Holy Night” complete with lovely string arrangement by Steve Salani. This is one of the most beautiful songs on the CD. Top picks for your holiday atmosphere include: “Have Yourself A Merry Little Christmas” the title track and “River.”
-- www.soundsoftimelessjazz.com

It's that time of year again: candlebridge in the window, Christmas cards to write, and already the Christmas Fayre and Concert are behind us. This collection of 12 tracks is a welcome antidote to the more raucous musical offerings blaring out on the tannoy in shopping malls. It's all too easy to forget the simple magic certain Christmas tunes can conjure up. This is a tasteful blend of the traditional, such as the incredibly moving SILENT NIGHT, achingly beautiful O HOLY NIGHT and the classic Christmas morning carol, O COME ALL YE FAITHFUL; with more contemporary favourites such as HAVE YOURSELF A MERRY LITTLE CHRISTMAS, and the self-penned ASPENGLOW and the title track, MY FIRST CHRISTMAS WITH YOU, co-written with John Bettis.

The inclusion of GREENSLEEVES and GOD REST YE MERRY GENTLEMAN contributes a Medieval touch, conjuring up images of Yule logs and long, snowy winters. Joni Mitchell's RIVER is a haunting piece which adds to the creative flow.

A perfect musical background for tree decorating, mince pie heating or wrapping those presents. For me Christmas Eve has always been the most exciting day of the year and the night before Christmas the most magical. I think this CD captures that pure magic.    -- Sarah Crabtree, New Hope International Review Online

Jim Wilson brings a more mellow approach to holiday music with My First Christmas With You. My favorite tracks on this cd are the instrumentals with Wilson's tender piano renderings. Also featured are Dan Fogelberg, Lis Lynne, Nathan East, and Stephen Bishop. Dan Fogelberg's vocals are a standout, of course. All of the songs are warm, intimate, and soothing arrangements that will help holiday stress and lighten the heart.        --Aquarius Music

In 'My First Christmas With You', gifted pianist Jim Wilson presents a superbly performed and memorable collection that encompasses traditional melodies, two new tunes and three vocal renditions. Highly recommended for any Christmas season musical collection.    -- Wisconsin Bookwatch

Pianist Jim Wilson is one of the hottest new contemporary instrumentalists to explode onto the national music scene in the past few years, and this holiday season he gives his fans a special present with the album 'My First Christmas With You'.    -- Jazz Corner

Cape of Good Hope Reviews

Jim's classical piano touch provides a soothing respite from any worries one might have. At the same time, it dances about lightly, providing an entertaining backdrop to the day. " 'Til I See You Again" is one of the standout cuts, and Dan Fogelberg's vocalizing adds a soothing extra instrument to "Picasso's Midnight Stroll." "Home In The Heartland" is another favorite, while Stephen Bishop's smooth voice provides the only lyrical vocals on the CD for "Donna Lynn."    -- Geoff Wilbur's Renegade Newsletter

Even with the volume of music I receive as a reviewer for New Age Retailer, it's not often I put a CD on that stops me cold. But a minute or so into Jim Wilson's new release Cape of Good Hope, I realized I needed to chill out and really take his music into my heart. Wilson's captivating, intoxicating music continues to grow on you even after it's swept you away. A consummate piano player and composer, Wilson knows that the key to our hearts is one note at a time. I would be hard pressed to name a more lyrical contemporary composer.

On Cape of Good Hope, Wilson includes a host of pop and smooth-jazz luminaries. Stephen Bishop, Dan Fogelberg, David Sanborn, Chris Botti, Richard Elliot, Rick Braun, and Peter White are among the musicians lending their talents. Piano, guitars, bass, keyboards, penny whistle, uilleann pipes, sax, mandolin, and accordian all can be heard on this remarkable album. Even Steve Winwood's 1969 hit (with Blind Faith) "Can't Find My Way Home" finds a home here. Featuring soothing, graceful music filled with light, Cape of Good Hope delivers a truly magical, luminous experience.    -- Steve "Edge" Ryals, New Age Retailer

Cape of Good Hope is a series of pieces drawn from pianist Jim Wilson's public television special. Much like pianist George Winston, Wilson employs a sweeping style with a lot of majesty and grandeur in his performance. The CD itself is a collection of songs, with various artists standing in on different tracks, but always in a sideman's role. With Peter White on guitar, Richard Elliot on sax and Rick Braun and Lenny Castro shaking the percussion, "Can't Find My Way Home" is by far the most mainstream (and best) tune on the CD.

It's a surprise to hear Dan Fogelberg on "Picasso's Midnight Stroll", a haunting piece in itself. "Discovery", featuring Chris Botti's sweet trumpet and the vocals of Casey Stratton is another of the better tunes although many will surely find an audience on the 'Yanni' stations.

Jim Wilson is also known for helping develop a revolutionary MIDI-adaptor for the acoustic piano.        -- Carmen Miller, Jazz USA

Initial feedback on Jim Wilson's Cape of Good Hope recording is that it is destined to make a lot of annual Top 10 lists of the best new age albums of the year. His previous album was Top 20 on Billboard magazine's New Albums chart which means he already has a ton of fans and strong sales. The two things that make this new mostly instrumental album stand out are Wilson's gorgeous piano playing and his knack for writing strong melodies.
-- Pathways Universal Light Center and Church

Jim Wilson - Cape of Good Hope: I love music that sways me - Jim dedicated this album "to the spirit of voyaging into the unknown in the quest for a better life..." Jim's piano and music moves universes. I have a new favorite song - "Donna Lynn" ... it is on this album. Jim's music is compelling and restful. Impossible you say? - Bet Me! Jim Wilson is already famous. Buy this album and you'll know why.    -- Anna B, Continuum Magazine

If ever you've wished that your life had a soundtrack, this would be it. Wilson speaks volumes on his second album, with hardly a word said. Piano takes center stage in his original compositions, and guest artists like David Sanborn and Dan Fogelberg help round simple melodies into satisfying tunes. Wilson cites James Taylor as an early influence, and that presence is still strong in his music, which feels as though it's been in your heart all along, just waiting to be set free. There's an air of melancholy, but it's also full of hope, as promised by the title. "Friend" just feels warm; "Discovery" tingles with child-like joy. This is feel-good music, fabulous in any background, accompanying an evening glass of wine on the deck, or as an excuse for just closing your eyes and letting your imagination wander.     -- NAPRA ReView (New Alternatives For Publishers, Retailers and Artists, Inc.)

Cape of Good Hope -Jim Wilson : This soundtrack is tantalizing. The piano is bold and uplifting, giving energy that fills the room with a bold touch of romance. It has a soothing, calming effect at interludes that keep you with the flow of the music. Complimentary instruments are the guitar and flute. These have a subtle hint of passion at key parts. There are some amazing talents who share gifts with Jim. Dan Fogelberg, David Sanborn, Chris Botti, Richard Elliot, Rick Braun, Peter White, Steve Lukather and Steve Porcaro, and courteously, Stephen Bishop.
-- Cher, Vision Magazine

Cape of Good Hope by Jim Wilson -- Wilson, a melodic acoustic pianist, is joined on this mostly instrumental album by a bevy of top musicians and special guests. This is an ambitious eclectic musical blend of wonderful, catchy, heartfelt melodies that come from the heart to touch the deepest hidden spaces of our emotions. Together they are magic.    -- Arizona Networking News

Piano jazz has really come into its own, emerging from the lounge and displaying a range that encompasses influences from rock, folk, classical and film scores. One of the shining lights of modern piano music is Jim Wilson and his new album Cape of Good Hope (Hillsboro) demonstrates why. The 13 tracks of the album evoke Celtic references and the sort of ethereal sailing music popularized by Enya. Wilson is joined by an all-star group, including David Sanborn, Dan Fogelberg, Peter White, and even Steve Lukather and Jeff Porcaro (from Toto). Standout cuts include "Picasso's Midnight Stroll," "Donna Lynn" (with vocal by Stephen Bishop), and a cover of Steve Winwood's hit, "Can't Find My Way Home."    -- Tucson Lifestyle Magazine

Full of the optimism and wonder suggested by its title, Jim Wilson's Cape of Good Hope is full of elegant, layered arrangements that start with gentle piano melodies and build to grand adventures. Wilson, whose rolling, melodic grand piano guides his explorations, draws upon timeless components to craft his arrangements, from the meditative piano/sax/nylon-guitar based "Friend," which glows with nostalgia, to the classic seascape feel of the album's lush title track, crafted by Eric Rigler's Uilleann pipes and Wilson's waves of piano. These component parts convey the mixed emotions of adventure. On "Discovery," for example, the joy of an excited, revolving piano line contrasts with the uncertain, haunted calls of Chris Botti's trumpet. Likewise "'Til I See You Again" conveys bittersweet reflection in details like Davey Johnstone's mandolin and Rigler's distant Irish flute. The album's sole cover, Steve Winwood's Blind Faith classic "Can't Find My Way Home," played as a piano-sax-guitar trio by Wilson, Richard Elliot and Peter White, is as awash in melancholy as warm recollection. The resolution to these adventures, chronicled on Wilson's upcoming public television special, Jim Wilson & Friends: Cape of Good Hope and Other Musical Portraits, is always one of strength, hope and gentle uplift. The orchestral romance "Donna Lynn," sung by Stephen Bishop in a heartfelt, straight-up tenor, underscores the power of this optimism.    -- Hilarie S. Grey, JazzTimes (America's Jazz Magazine)

Orchestras are making a comeback. The groups making a ripple in mainstream music are not the big bands of your grandfather's day, with a featured vocalist that moved from one big ballroom to another. Today's pop band is more likely a smooth ensemble of polished musicians who get together for a special project.

One such project is the upcoming public television special, "Jim Wilson and Friends: Cape of Good Hope (and other Musical Portraits)." While taping the TV program, the eight member group also recorded a recently released CD, "Cape of Good Hope."

This is composer/pianist Wilson's second CD, a follow-up to his successful new music disc "Northern Seascape." The sea also provides the title for his new release, celebrating the generations of sailors who have passed safely through the treacherous Cape of Good Hope at the southern tip of Africa, where the Atlantic and Indian oceans meet.

The title tune sets the mood for the 13 tracks. Wilson composes within a limited thematic range but avoids sameness through imaginative arrangements. In "Cape of Good Hope" he uses nine musicians on instruments ranging from Uilleann pipes and Irish flutes to pennywhistle and synthesizer. The effect is easy listening with a lilt.

"Friend," which follows, is intimate, a quartet featuring sax, guitar and synthesizer, with Wilson on piano. The other selections have the same variety. "Picasso's Midnight Stroll," another with the full ensemble, features vocals by Dan Fogelberg. Stephen Bishop sings on "Donna Lynn." "Can't Find My Way Home," identified with Wilson, benefits from double treatment -- it is first heard as a trio: Wilson, Richard Elliot on sax and guitarist Peter White and returns for the grand finale with a mix of instruments.

"Jim Wilson and Friends" will be broadcast on PBS television stations later this year. Until then, the "Cape of Good Hope" CD provides a pleasant preview.    -- Bill Fark, North County Times (Escondido CA)

Mostly instrumental, this second album by acoustic pianist Jim Wilson is a New Age melodic dedication to those sailors who lost their lives at the Cape of Good Hope as well as to any brave soul voyaging into the unknown looking for a better life. Wilson who is a pianist and composer of great depth and sensitivity composed all of the thirteen tracks but one. He was known as "the piano tuner of the stars" after tuning pianos in Los Angeles for a number of years. Many of those famous piano owners encouraged him to record his own work and thank goodness he did. He is joined here by Dan Fogelberg, Lee Sklar, David Sanborn, Richard Elliot, and Peter White to name just a few. Besides Wilson's strong piano playing we hear guitar, keyboard, saxophone, trumpet, and Irish flute and Uilleann pipes plus some very haunting wordless vocals by Fogelberg on track 6, "Picasso's Midnight Stroll." Complex instrumentally and yet simple in form, gentle and heartfelt, the music here will soothe your soul.
-- Jeannette Housner, Victory Review (Acoustic Music Review Magazine)

Cape Of Good Hope: This CD is filled with more of Wilson's soothing acoustic piano compositions. It is dedicated to the spirit of voyaging into the unknown in the search of a better life. It was inspired by the sailors who sailed around the southern tip of Africa (the Cape of Good Hope), meeting with peril during their journey. This is inspirational music at its finest. Many guest musicians appear, including Dan Fogelberg.    -- Christina Lord, editor, Creations Magazine

Jim Wilson - Cape Of Good Hope: Another divergent turn in styles, this is high-end and slick music that you'll soon hear on a PBS special across the land! Beautiful compositions that feature Wilson's wonderful keyboards. He's "up there" with some "stars." The album features guest players like David Sanborn, Stephen Bishop and Dan Fogelberg ... very impressive. This is not for those readers who are looking for "out " improv. It is, however, solid composition and very, VERY relaxing. For lovers of inspirational music around the world, this is MOST HIGHLY RECOMMENDED. Track 5, "Discovery ", is my favorite cut, simple but powerful!      -- Doctor Jazz, Improvijazzation Nation Magazine

This record could give smooth jazz a good name! One of the music industry's favored sons, Wilson has gathered together a truly breathtaking collection of guest performances to support his beautiful, romantic, poignant, thoughtful piano-led melodies. David Sanborn, Chris Botti, Richard Elliot, Rick Braun, Davey Johnstone, Peter White, Lee Sklar, Steve Lukather, Steve Porcaro, Lenny Castro and vocalists Stephen Bishop and Dan Fogelberg turn in tastefully nuanced ensemble performances that make the most of these tuneful odes to relationships and fantasies ("Picasso's Midnight Stroll," which interestingly features Fogelberg on wordless vocals and a mix by legendary producer Bob Clearmountain). Another interesting choice is not one, but two, covers of the Blind Faith classic "Can't Find My Way Home." One of the most ethereal, yearning and downright magical tunes ever written (track 8) is arranged for piano and guitar with sax taking the part of Steve Winwood's wistful lyrics. There is a fuller radio mix (track 12) that finds the classic rock piece given a somber, rolling ensemble setting, but the stripped down version conveys the special-ness of the tune best. There are simply too many good Wilson originals to pick a few; enjoy 'em all. Also, a public television special will be available to PBS affiliates nationwide starting September 1st. For more information, go to : www.pbs.org.    -- New Age Voice Magazine

Cape of Good Hope, Jim Wilson's follow-up to his first CD Northern Seascape, lures the listener on a hypnotic voyage of delicate piano, synthesizer, and soft jazz sounds. You can almost smell the salt air and hear the sonorous waves of the Atlantic and Indian Oceans. The title of the CD is taken from the geographic area where these two oceans meet, and is meant to honor the perilous journey that many sailors have taken over the years. On this mostly instrumental recording, Wilson is joined by many well-known fellow musicians (and fans) including Dan Fogelberg and David Sanborn. The thirteen tracks are perfect for relaxation and an ideal antidote for a stressful day. Fans of David Lanz and Peter Kater will certainly enjoy this music. A PBS special, Jim Wilson & Friends: Cape of Good Hope, will air nationally this fall.    -- Aquarius (A Sign Of The Times)

Those who've read this column over the years know that I feel John Tesh and Yanni are Satan's musical ambassadors, and that today's New Age scene is better left in the past.

As a result, it's pretty big news in my mind when a scruffy-faced baby boomer comes along with a "New Age" disc that turns my head in a positive way.

Watch one of PBS' incessant-but-necessary-I know-I know-I know pledge drives this fall, and you'll doubtlessly be inundated by Wilson's version of a "Live At Red Rocks" special. Filmed in an old Pontiac showroom in Wilson's home town of Amarillo, he called it Cape Of Good Hope because, "I was so impressed that early sailing pioneers gave that point of land a positive name, even though many lost their lives there ...I used the cape as a symbol of hope and optimism for humanity, in a time where we face continual challenges in forging a new and better world."

So, did I like this disc or not? Yes, because, you see -- to paraphrase a "Jerry Maguire" line -- he had me from the time he said hello. By covering Steve Winwood's 1969 Blind Faith Hit, "Can't Find My Way Home," not once, but twice, this former piano-tuner-to-the-stars captured my attention and respect before I even heard a note. This is one of the best songs ever written, and I'm happy to admit that Wilson's standard and "radio" mixes do it complete justice.

With Wilson's easy-going, mild-mannered piano style, it's easy to see why music-industry stalwarts like Dan Fogelberg, David Sanborn and Stephen Bishop were quick to lend their talents to this project.      -- The Davis Enterprise (California)

Cape Of Good Hope : Pianist Jim Wilson will touch your soul with his enchanting music. With each stroke he carries you on a journey through time. I truly enjoyed each of his songs. Jim has put together a great collection of songs that will calm your soul from the every day stress. The instruments are exquisite, the composition is pure perfection and the time I spent listening to this CD and telling you about the masterpieces created by Jim Wilson is time well spent.    -- Jessica Simmons, editor, Nefarious Entertainment Magazine

With Cape Of Good Hope, Jim Wilson has crafted an album of catchy, heartfelt original melodies plus an instrumental cover version of Steve Winwood's 1969 Blind Faith classic, "Can't Find My Way Home", Wilson creates a soothing musical experience that captures and inspires the soul, weaving a delicate tapestry of Celtic, folk, pop, and classical influences. Cape Of Good Hope is highlighted with guest appearances by Dan Fogelberg, David Sanborn, Richard Elliot, Chris Botti, and others.    -- Music Tracks; Accent On Tampa Bay

Jim Wilson is a melodic acoustic pianist who recently enjoyed great success with his first recording,    Northern Seascape. His follow-up album which is mostly instrumental, features several special guests and close friends - among them, singer-guitarist Dan Fogelberg, singer Stephen Bishop, guitarist Davey Johnstone, keyboardist Steve Porcaro, and jazz saxophonists David Sanborn and Richard Elliot to name a few. Jim's music will be presented on a national PBS-TV special in the fall. Check out cuts as the pretty title track, plus "Friend" with a Sanborn sax solo, the Celtic-flavored "Susanna," "'Til I See You Again," and "More And More," trailed by the adventurous "Discovery," and the ethereal wordless vocals of Fogelberg on "Picasso's Midnight Stroll." Wilson covers Steve Winwood's classic, "Can't Find My Way Home," along with a tribute to Jim's Texas childhood home with "Home In The Heartland," the haunting "Etheria," the vocal excellence of Bishop's "Donna Lynn," winding down with a radio mix of "Can't Find My Way Home," and Wilson's finale is a reprise of "'Til I See You Again." Lots of musical enjoyment compliments of Jim Wilson!    -- Bob Morello, Boston Post- Gazette

It's an unlikely musical path for a native Texan to take, but Jim Wilson blends pop, Celtic, folk, jazz and classical influences in his music. A pianist first and foremost, Wilson calls on a full roster of guests - Dan Fogelberg and saxophonist David Sanborn - to bring texture to the ambitious melodies of Cape Of Good Hope. Once known as "piano tuner to the stars" (yes, really), Wilson is quickly becoming a star in his own right.        -- House of Blues CD Review hob.com

Wilson Takes Piano In New Directions : Jim Wilson is one of the innovators in the world of piano music. On his new Hillsboro Jazz disc, "Cape Of Good Hope", Wilson once again shows what can happen when somebody smart lets his piano knowledge interact with computers and synthesizers.    -- Syracuse Herald-Journal / Post -Standard

If it is possible that an environment can shape the beauty of a song, then the 13 beautiful tracks on Cape of Good Hope are a true testament to this assumption. Acoustic pianist Jim Wilson is accompanied by an array of musical stars, including such all-time favorites as Dan Fogelberg, guitarist Steve Lukather, David Sanborn, Rick Braun, Richard Elliot, and Peter White. The melodic brilliance of the arrangements is very calming and very soothing; these are the types of songs that cause your imagination to whisk you away to romantic, dreamy, or mystical locations. Beauty resides on this CD and becomes an elegant extension of Wilson's innermost musical desires. The romantic ambiance of "Picasso's Midnight Stroll" goes straight for the heart with Wilson's memorable, hypnotic hooks, its ethereal vocalese, the mystical orchestral grandeur, and the beauty of Chris Botti's trumpet punctuation. Wilson delicately weaves the peaceful essence of Eric Rigler's uilleann pipes and Irish flute through the soul of "More and More," and adds his gossamer background vocals to those of Casey Stratton, Dan Fogelberg on the title track, and "Discovery." This a very inspired collection of songs and raises the bar on his previous effort, Northern Seascape, due to the talents and musicality of the all-star ensemble assembled for this session.
-- Paula Edelstein    All Music Guide Expert Review

Clearly one of the outstanding releases of 2001, an altogether warm, polished and very satisfying album.
-- Stephen Hill, Producer, HEARTS of SPACE